Conference Information

DAFx 2026: International Conference on Digital Audio Effects

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Submission Date:
2026-03-30
Notification Date:
2026-05-15
Conference Date:
2026-09-01
Location:
Cambridge, Massachusetts, USA
Years:
29
ICORE: C   Viewed: 1112   Tracked: 0   Attend: 0

Conference Partner Index (CP-I)

54.7 / 100
Ranked #875 of 5,687 conferences · Top 16%
Academic recognition (35%)
58
Submission selectivity (20%) No data - scored at the neutral baseline of 50 —
Editions held (20%)
92
Community attention (10%)
8
Public record completeness (15%)
35

Inputs used: Listed as ICORE C · Editions on record: 29 · Researchers who opened this page in the past 24 months: 2

Missing from the public record: Historical acceptance rates (+4.5) · Past editions (+3.0) · Best-paper records (+2.3)
Organizers can add these from this page after claiming the conference; scores are recomputed nightly. How to raise this score

Confidence 80% - the share of the score backed by observed data rather than the neutral baseline. How this score is calculated · Browse the ranking · Algorithm version 1.1 · Computed 2026-09-27

Call For Papers

DAFx 2026 (International Conference on Digital Audio Effects) is a ICORE C conference held in Cambridge, Massachusetts, USA on 2026-09-01. The paper submission deadline is 2026-03-30. Acceptance notifications are sent on 2026-05-15.

This annual conference brings together research practitioners across the globe working with digital audio processing for music and speech, sound design, sound art, acoustics, and related applications. Original contributions for DAFx26 are encouraged in, but not limited to, the following topics: Signal processing and analysis Creative audio effects, sound synthesis, and composition Physical modeling and virtual analog Spatial sound, room acoustics, and artificial reverberation Music information retrieval, source separation, and audio restoration Machine learning for audio Audio coding and data representation Perception and psychoacoustics Hardware and software design This year, we especially welcome papers on the topic of novel creative audio effects.
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